Chris Gagnon

FOR IMMEDIATE RELEASE

Chris Canyon Introduces the First Chapter of His Expanding American Road Narrative with “Get Used To This”

On April 18, Chris Canyon releases “Get Used To This,” the opening chapter of what feels less like a series of singles and more like the beginning of a long-form American story.

If the forthcoming body of work is a novel, this is page one.

The song centers on a woman not defined by departure, rebellion, or even romance. She is defined by presence — brief, luminous, impossible to fully grasp. She moves through golden hour as if it belongs to her. Dust lifts behind her tires. The horizon bends toward her.

She isn’t leaving.

She simply cannot be kept.

“Get Used To This” does not chase her. It watches her. It studies the ache that follows her — the kind of longing that becomes a compass. The kind of wanting that shapes everything that comes after.

In Canyon’s emerging artistic universe, the girl is not just a love interest — she is the catalyst. The dream. The illusion you almost touch. She represents the thing we all chase at some point: freedom, transcendence, the version of ourselves we haven’t yet become.

And that is where the story begins.

Sonically, the track unfolds like a film at dusk — restrained percussion, open space, a vocal delivery that favors atmosphere over urgency. Canyon leans into stillness, allowing the imagination to fill the frame: engine humming, light fading, the sense that something beautiful just slipped through your hands.

In a genre often built on resolution, “Get Used To This” offers something braver — unresolved longing. It does not promise closure. It promises continuation.

This is the first chapter.

The longing is the plot.

Everything that follows will trace the imprint she leaves behind. “Get Used To This” will be available on all major streaming platforms on April 18.

The story begins, Pre-Save Now: https://distrokid.com/hyperfollow/chriscanyon/get-used-to-this-radio-mix